Breaking decisively with all previous literary traditions and grammatical norms, Gertrude Stein forged a unique idiom—abstract and down-to-earth, playful and subversive, philosophical and erotic by turns—which influenced writers as varied as Ernest Hemingway, William Carlos Williams, Thornton Wilder, and John Ashbery. This Library of America volume, along with its companion, surveys a literary trajectory that from the beginning of the 20th century to the end of World War II marked her as a fearless and uncompromising experimenter. She was also a master of anecdote and aphorism, many of whose phrases—from “rose is a rose is a rose” to “there is no there there” and “when this you see remember me”—have passed into the language.

This first volume, containing works written between 1903 and 1932, takes Stein from her first, more traditional fictional works to the exuberant and astonishing experiments of the early Paris years. She was a devoted student of William James, with whom she studied psychology at Radcliffe in the 1890s, and took an early interest in memory and the function of repetition in human character. In her early works, she sought a new kind of realism exemplified here by Q.E.D. (written 1903, published posthumously), a novel about lesbian entanglements at college, and the modern classic Three Lives (1909), a set of novellas about the lives of three ordinary women, described in the simplest and most direct of prose.

In her brilliant abstract “portraits” Stein uses an extraordinary array of verbal techniques to evoke those friends and collaborators—Matisse, Picasso, Apollinaire, Juan Gris, Satie, Mabel Dodge, Carl Van Vechten, Sherwood Anderson, Virgil Thomson—with whom she shared decades of revolutionary ferment in the arts. Her play Four Saints in Three Acts (1927), which became the basis for an opera by Virgil Thomson, is written for a freewheeling theater of the mind where everything becomes possible. In “Lifting Belly” and other works she joyously celebrates her lifelong relationship with Alice B. Toklas, one of the most famous domestic partnerships of that century. The Autobiography of Alice B. Toklas (1933), Stein’s oblique and playful memoir, became an immediate bestseller and sealed Stein’s international celebrity.

Catharine R. Stimpson and Harriet Chessman, volume editors, are Dean of the New York University School of Arts and Sciences and the author of Someone Not Really Her Mother, respectively.

This Library of America series edition is printed on acid-free paper and features Smyth-sewn binding, a full cloth cover, and a ribbon marker.

Gertrude Stein: Writings 1903–1932 is kept in print by a gift from Robert W. Wilson to the Guardians of American Letters Fund.