Lawrence Rosenwald: War No More demonstrates “remarkable vitality and diversity” of American antiwar writing
David Bordwell pays homage to the “daredevil criticism” of four pioneering film writers
Against American exceptionalism: Gordon S. Wood on John Adams
“Remember the Ladies”: Edith Gelles on the incomparable letters of Abigail Adams
Robert Polito: The one-of-a-kind “film investigations” of Manny Farber
Sarah Weinman on Women Crime Writers: “They had their own stories to tell . . . in distinct, sometimes ruthless ways”
Arthur Miller at 100: a “loving embrace of humanity’s frailties”
Darryl Pinckney: James Baldwin “stood his ground and paid a price”
New York exhibition showcases Lynd Ward as both pioneering graphic novelist and master illustrator
Lewis Dabney on Edmund Wilson, “a storyteller, a master of exposition and compressed intellectual analysis”
Gordon S. Wood: How the American Revolution “infused into our culture our noblest ideals and highest aspirations”
Todd Tietchen: “It took a while for literary culture to catch up with what Kerouac had accomplished”
Bill Littlefield on how sportswriter W. C. Heinz listened to athletes—and knew their glory was fleeting
Reinhold Niebuhr combined “tough-minded political realism with a sympathetic understanding of society’s injustices”
Virgil Thomson, the music critic who “managed to demystify an art that was often regarded as otherworldly”
Jed Perl: how the lives of visual artists were “woven together with the lives of novelists, poets, and intellectuals”
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From poetry, novels, and memoirs to journalism, crime writing, and science fiction, the more than 300 volumes published by Library of America are widely recognized as America’s literary canon.
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