Benjamin Franklin Scott F. Fitzgerald William Faulkner James T. Farrell Ralph Waldo Emerson W.E.B Du Bois Theodore Dreiser Fredrick Douglass John Dos Passos Stephen Crane James Fenimore Cooper Kate Chopin
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Ward, Lynd - Gods’ Man, Madman’s Drum, Wild Pilgrimage

Lynd Ward

Gods’ Man, Madman’s Drum, Wild Pilgrimage

“Perhaps the most provocative graphic storyteller of the twentieth century.”—Will Eisner
Overview  |  Table of Contents

Read an exclusive interview with volume editor Art Spiegelman (PDF, 95 KB)

From the eve of the Great Depression to the onset of World War II, Lynd Ward, America’s first great graphic novelist, bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. His medium of expression, the wordless “novel in woodcuts,” was his alone in the United States, and he quickly brought it from bold iconic infancy to a still unrivalled richness of drama, characterization, imagery, and technique.

In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles.

The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

Lynd Ward was born in 1905 in Chicago, Illinois. He is the author of six novels in woodcuts and three picture books for children, and the illustrator of some two hundred other books. Storyteller Without Words, an autobiographical monograph on his work in wood engraving, was published in 1974. He died in 1985.

Art Spiegelman, volume editor, is the author of the Pulitzer Prize–winning graphic memoir Maus: A Survivor’s Tale. His most recent book of comics is Breakdowns: Portrait of the Artist as a Young %@&*!

Both Lynd Ward volumes are printed in the series trim size on an acid-free stock with a light coating for optimal illustration reproduction and bound in brick-red cloth stamped to match other titles in the LOA series. In addition, each Smyth-sewn volume includes a ribbon and a uniquely designed jacket featuring artwork by Lynd Ward.

Below: The opening sequence of Gods' Man. (If you can't see the viewer, then click here to see a PDF file.)

Also of interest:
John Dos Passos: U.S.A.
John Steinbeck: Novels and Stories 1932–1937
John Steinbeck: The Grapes of Wrath and Other Writings 1936–1941

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ISBN: 978-1-59853-080-3
833 pages
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